Yahoo - AFP, Aaron
Tam, March 22, 2015
Filipino
photographer Xyza Cruz Bacani poses with her work in Macau on
March 21, 2015
(AFP Photo/Aaron Tam)
|
Hong Kong
(AFP) - From her poverty-stricken roots in a Philippine backwater, via domestic
service in Hong Kong to acclaim in New York, Xyza Cruz Bacani's inspirational
journey started with a camera bought with borrowed money.
The
28-year-old came to Hong Kong nine years ago to join 300,000 other women working
as maids in the city, hoping to earn enough money to help fund her brother's
education.
But
photography has transformed her life, her images of everything from trips to
the supermarket to scenes of abuse at a refuge for domestic workers earning
laudatory spreads in international media and at exhibitions.
Bacani was
recently named as one of the recipients of a fellowship by the Magnum
Foundation, a prestigious scholarship that will allow her to study in New York
for six weeks.
Filipino
photographer Xyza Cruz Bacani
poses with her work in Macau on March
21, 2015
(AFP Photo/Aaron Tam)
|
"The
urge to survive is much bigger than the urge to do art," she told AFP in
Macau where her photographs are on show as part of the city's Literary
Festival.
A
self-professed dreamer, she said she also saw the move to Hong Kong as an
opportunity to leave her home village, nine hours' drive from the Philippine
capital Manila.
"It
was a big contrast when I arrived at the airport, I was very excited because
everything is moving fast, and the lights are wonderful, it looks so alive
compared to my village," she said.
Her passion
for photography really took off four years ago, when her employer -- whom she
describes as a "great lady" -- lent her the money to buy her first
camera, a Nikon D90.
"When
I had (the camera), I shot landscapes to flowers to (portraits of) my mom, and
then I did street photography."
From that
point on Bacani took photographs at every opportunity she had, whether out
buying daily produce for her employer or ranging across Hong Kong on Sundays
off work.
At first
she only shared her pictures with friends on Facebook -- mostly shot in grainy
black and white, capturing street moments in classic reportage style.
A Filipino
photographer based in San Francisco saw them on Facebook and was intrigued by
their originality and quality. From there she came to the attention of the New
York Times Lens blog and then of acclaimed photographer Sebastiao Salgado, who
praised her work at an exhibition in Hong Kong late last year.
Reflecting
on her journey thus far, she marvels: "Right now it's changed my life 180
degrees, here I am having a show in Macau, going to places."
A voice
for the unheard
With
increasing concerns over the treatment of domestic helpers in Hong Kong and the
region, Bacani is now turning to documentary photography to try to draw
attention to abuses.
"That's
what I want my photography to do, to be able to help people ... to me
photography is a very powerful tool to change someone's perspective towards an
issue," she said.
In the
summer of 2014, Bacani documented migrant workers who had taken shelter at a
refuge after suffering abuse at the hands of their employers, an experience she
described as "life-changing".
"I was
angry at first, it was a roller-coaster of emotion when I saw this kind of
situation.
"I
think I was there to be the voice of those domestic workers who remain unheard,
whose voices have been muted."
Just last
month a judge sentenced a Hong Kong woman to six years in jail for beating and
starving her Indonesian maid in a case that made global headlines.
Bacani's
own employer could not be more different, she says, offering support and
encouragement to pursue her plans of becoming a photographer full-time.
"She
said my domestic worker duties... are restricting me from growing up as a
person, it's a chain that holds me," Bacani said, after stopping her
domestic work last week.
Bacani's
story has inspired many other helpers in the city, and she is urging them to
pursue their dreams too.
"They
keep on telling me... now that they've seen me, I made them realise that it's
possible to do the things that you really want to do outside your job.
"I
want people to see that your job, your work, it doesn't define who you
are," she added.
"The
dreams that I had when I was young, I'm having them now."
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