Indonesia executes six drug convicts, five of them foreigners

Indonesia executes six drug convicts, five of them foreigners
Widodo has pledged to bring reform to Indonesia

Ban appeals to Indonesia to stop death row executions

Ban appeals to Indonesia to stop death row executions
United Nations Secretary General Ban Ki-moon has pleaded to Indonesia to stop the execution of prisoners on death row for drug crimes. AFP PHOTO

Pope: 'Death penalty represents failure' – no 'humane' way to kill a person

Pope: 'Death penalty represents failure' – no 'humane' way to kill a person
The pope wrote that the principle of legitimate personal defense isn’t adequate justification to execute someone. Photograph: Zuma/Rex

Obama becomes first president to visit US prison (US Justice Systems / Human Rights)

Obama becomes first president to visit US prison   (US Justice Systems / Human Rights)
US President Barack Obama speaks as he tours the El Reno Federal Correctional Institution in El Reno, Oklahoma, July 16, 2015 (AFP Photo/Saul Loeb)

US Death Penalty (Justice Systems / Human Rights)

US Death Penalty (Justice Systems / Human Rights)
Woman who spent 23 years on US death row cleared (Photo: dpa)



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"The Recalibration of Awareness – Apr 20/21, 2012 (Kryon channeled by Lee Carroll) (Subjects: Old Energy, Recalibration Lectures, God / Creator, Religions/Spiritual systems (Catholic Church, Priests/Nun’s, Worship, John Paul Pope, Women in the Church otherwise church will go, Current Pope won’t do it), Middle East, Jews, Governments will change (Internet, Media, Democracies, Dictators, North Korea, Nations voted at once), Integrity (Businesses, Tobacco Companies, Bankers/ Financial Institutes, Pharmaceutical company to collapse), Illuminati (Started in Greece, with Shipping, Financial markets, Stock markets, Pharmaceutical money (fund to build Africa, to develop)), Shift of Human Consciousness, (Old) Souls, Women, Masters to/already come back, Global Unity.... etc.) - (Text version)

… The Shift in Human Nature

You're starting to see integrity change. Awareness recalibrates integrity, and the Human Being who would sit there and take advantage of another Human Being in an old energy would never do it in a new energy. The reason? It will become intuitive, so this is a shift in Human Nature as well, for in the past you have assumed that people take advantage of people first and integrity comes later. That's just ordinary Human nature.

In the past, Human nature expressed within governments worked like this: If you were stronger than the other one, you simply conquered them. If you were strong, it was an invitation to conquer. If you were weak, it was an invitation to be conquered. No one even thought about it. It was the way of things. The bigger you could have your armies, the better they would do when you sent them out to conquer. That's not how you think today. Did you notice?

Any country that thinks this way today will not survive, for humanity has discovered that the world goes far better by putting things together instead of tearing them apart. The new energy puts the weak and strong together in ways that make sense and that have integrity. Take a look at what happened to some of the businesses in this great land (USA). Up to 30 years ago, when you started realizing some of them didn't have integrity, you eliminated them. What happened to the tobacco companies when you realized they were knowingly addicting your children? Today, they still sell their products to less-aware countries, but that will also change.

What did you do a few years ago when you realized that your bankers were actually selling you homes that they knew you couldn't pay for later? They were walking away, smiling greedily, not thinking about the heartbreak that was to follow when a life's dream would be lost. Dear American, you are in a recession. However, this is like when you prune a tree and cut back the branches. When the tree grows back, you've got control and the branches will grow bigger and stronger than they were before, without the greed factor. Then, if you don't like the way it grows back, you'll prune it again! I tell you this because awareness is now in control of big money. It's right before your eyes, what you're doing. But fear often rules. …
Showing posts with label Performances. Show all posts
Showing posts with label Performances. Show all posts

Saturday, February 28, 2015

Awesome Tapes From Africa Head to Jakarta

Jakarta Globe, Marcel Thee, Feb 23, 2015

Popular DJ and music blogger Brian Shimkovitz will perform a set from his
Awesome Tapes From Africa blog in Jakarta on March 13. (Photo courtesy of
Valerie Paulsgrove)

First going online in 2006, Brian Shimkovitz’s Awesome Tapes From Africa blog has grown from a personal online journal of collected African music to one of the most respected music-centric blogs around.

It only makes sense then, that the popular blogger would visit Jakarta to perform a set in front of the city’s ever-growing horde of culturally hyper-aware megapolitans.

This will happen on March 13, with opening acts London-via-Berlin Perera Elsewhere and Batavia’s own Ffonz (who is a part of the W Music collective). The venue where this will be happening has yet to be confirmed, but those interested in attending should check out the Facebook page of the organizer, Ashram Project, for updates.

Brian has spent the last few years, aside from running his blog-turned-label, DJ-ing across the world. His set often includes a good mix of folkloric pop, left-field dance-floor tracks and a variety of hip-hop music he’s discovered on foot in African marketplaces. His sets tend to run for a while, ranging between two and three hours and he often uses a rather retro-ish twin tape deck and other analog equipment.

In an editorial written for Britain’s The Wire, Brian wrote of how Awesome Tapes From Africa first came into being.

“I started Awesome Tapes From Africa as a way to make artefacts [sic] available from the cassette-based music economy I have encountered around Africa. Something that began quite innocently as a means of filling the wide gaps in international music distribution — nearly every musician and producer I’ve met in West Africa wants to find a way to get their music beyond their borders — has become a spark in the often fiery debates surrounding suspected post-colonial tendencies of the Western music industry vis-a-vis the developing world.”

Awesome Tapes From Africa’s popularity gave Brian plenty of chances to develop his blog into something more, which he did. In 2011, the blog was developed into a now critically acclaimed vinyl-focused label. It began re-releasing older records by under-appreciated — at least by the international music scene — African artists such as Bola, Dur-Dur Band, Hailu Mergia and Penny Penny.

According to its official bio, the label “plays an essential role in furthering Brian’s mission to build an international audience for African music through touring and re-issues.”

Through his vast African cassette archive, Brian fills his blog and DJ sets with less-traversed genres such as highlife, fuji, benga, tsonga disco, soukous, hip-hop, rhumba and ethio-soul.

Opener Perera Elsewhere is the pseudonym of singer-songwriter-producer Sasha Perera who also DJs under the name Mother Perera.

Jakarta’s own Ffonz will DJ a mix of his signature classic hip-hop, old Soul, and vintage beats.

For more information check out Facebook.com/AshramProject

Sunday, December 14, 2014

Dance Troupe Seeks to Revive and Reintroduce Sacred Bali Performance Art

Jakarta Globe, Maya Martini, Dec 14, 2014

Legong dancers during the 20th anniversary celebration of Bengkel Tari
Ayu Bulan. (JG Photo/Maya Martini)

On the last day of November this year, a group of dancers brought a taste of Bali to the bustling capital of Jakarta. Soothing sounds of traditional instruments gamelan filled the room, and candles and flowers gave life to the otherwise gloomy and grey day. It was a performance of Bali’s traditional Legong dance at the Goethe Institute Menteng in Central Jakarta, brought by a group of dancers hoping to revive a dance long forgotten — one that has long survived quietly within the confines of obscurity.

The dance was part of the 20th anniversary celebration of Bengkel Tari Ayu Bulan, a community dedicated to Legong dancers and lovers.

“Legong is a poetry that is rooted from an ancient dance called Gambuh and the sacred trance dance called Sanghyang,” said Bulantrisna Djelantik, also known as Biyan Bulan, founder of Tari Ayu Bulan Bengkel and Studio. Biyan Bulan herself is a distinguished maestro of the Legong dance who has also introduced the dance beyond Indonesia with the help of dancers from Bengkel Tari Ayu Bulan.

“Now, it has become one of the classical Balinese dances with a complex vocabulary of motions full of vibration, alternately bending and breaking, gentle and strong and bound in a frame of rules.” she said.

“Kemilau Legong” consisted of four types of dances, three of which fall under the “non-dramatic” category. The first is a dance named Legong Kupu-kupu Carum, which symbolizes the short and meaningful life of a butterfly. The second, named Legong Kuntir, depicts a scene from the epic Ramayana story, while the third, Legong Kuntul, depicts a flock of a common, slender and white bird called Kuntul. The final dance, which falls under the “dramatic dance” and was choreographed by Biyan Bulan herself, is called Legong Smaradahana – a story of chaos in heaven when evil spirits tormented heavenly being.

“I have seen numerous traditional Bali dances but this one was different” said Hans, a guest at the event said. “The spirit and passion of the dancers could be felt throughout the room, and the atmosphere made me feel like I was transported to Bali.”

Despite having originated in Bali centuries ago, the dance remains unpopular and is rarely seen on stage because its performance is commonly limited to sacred rituals. The dance, which is said to have up to 22 varieties, currently has only 12 preserved varieties.

“The public mainly knows ‘Keraton,’ one variety of the legong dance,” head of the event’s organizing committee Putri Minangsari said. “Bengkel Tari Ayu Bulan aims to reintroduce the uniqueness of Legong to the pulbic, especially to the younger generations to keep it from perishing.”

Bengkel Tari Ayu Bulan today has 22 active Legong dance performers who come from a variety of professions and ethnic groups in Indonesia, all of whom dance with one aim: to preserve the traditional dance and to add color to the local performing arts culture in the process.

Wednesday, December 25, 2013

Classical Musicians, Singers Cross Faith Divide for Christmas

Jakarta Globe, Lisa Siregar, December 25, 2013

Aditya Pradana Setiadi on piano. (Photo courtesy of Aditya Pradana
Setiadi and Elizabeth Dwi Purna)

Christmas is a busy time for musicians. Not only is the end of the year nearing, which often means the budget can be a little loose, but more importantly, music plays a huge part in the festive celebrations.

Beginning in the last days of November up until mid-December, people gather with colleagues and friends in a build-up to a merry Christmas before they eventually get too busy shopping and taking off for holidays with their family.

However, Christmas festivities do not always have to offer a set list of Christmas songs. In essence, it is usually about the birth and the resurrection of Christ, which could be embodied in certain themes.

Pianist Aditya Pradana Setiadi, 28, is one of those musicians that recently have been very busy performing classical concerts. Earlier this month, he was the conceiver, narrator and pianist at “La Serata Verdiana” (“The Evening of Verdi”), a commemoration of Italian composer Giuseppe Verdi, at the Italian Cultural Center in Menteng, Central Jakarta. This year marks the 200th anniversary of Verdi’s birth.

Aditya, who also teaches musicology and music history at the University of Indonesia, said that Verdi’s opera music goes back to the era of Risorgimento (“Resurgence” — Italian unification) where it fueled the spirit to win back occupied areas from the Austro-Hungarian Empire and unite the Italian peninsula.

For Italians in Jakarta, Aditya said, this spirit of Italian patriotism in the Resurgence era also echoes their Christmas mood.

For classical musicians like himself, it is quite common to perform a Christian-themed repertoire. Classical works from European civilization are known to have a strong root in Christian values.

Aditya, who is a Muslim, has been familiar with this understanding and has no worries performing them.

“A lot of classical composers, like Verdi, were atheists, but they still made contributions to music that became part of the Catholic tapestry,” Aditya said. “One of his most famous works, ‘Requiem Mass,’ for example, is commonly used in Catholic funerals.”

Aditya noted that Indonesian conductors such as Avip Priatna and Aning Katamsi were Muslims who regularly participated in Christmas concerts.

Aditya said his favorite evenings were those that not only went well in terms of professionalism, but also showed a sense of interfaith tolerance.

“It was quite something to see Aning, who wears a hijab, present the ‘Messiah’ by Handel, with verses from the Bible,” he said. “I also once played piano for soprano Clarentia Prameta, who is a Catholic, in an evening to celebrate Ramadan.”

Other than classical musicians, singers also often get more jobs during Christmas, be it for spiritual or entertainment purposes.

Singer Teza Sumendra, 24, is a Muslim, but it is common for him to get more job offers for Christmas than Idul Fitri.

“A lot of people mistake me for a Christian, maybe because I don’t look like a Muslim,” Teza said with a laugh. “They usually end up asking which church I belong to.”

Teza, who was recently involved in the Wonderful Christmas concert at Aula Simfonia Jakarta in Kemayoran, Central Jakarta, with conductor Avip, said he preferred to perform in a casual concert rather than singing service at churches.

“I don’t mind, but I would prefer for Christian singers to perform at churches, as it’s their time to celebrate,” he said. “I think it would make it more sacred.”

This year, apart from the Wonderful Christmas show, he will be singing during a gathering at a private residence on Christmas Day.

For casual celebrations, Teza likes to listen to jazz from the 1940s to prepare himself, such as Nina Simone and Billie Holiday. He also mixed the set list with cover songs, usually from the rhythm and blues genre.

“I usually take offers to perform at Christmas festivities because I am familiar with those songs,” he said.

“I am also a little bit obsessed about New York, so I always imagine myself singing at the Rockefeller Center.”

Like Aditya, he does not feel restricted when performing for Christmas events.

Meanwhile, for singer Elisabeth Dwi Purna, known as Lisa, who is Catholic, Christmas is a time to make sure she keeps a healthy balance between entertainment and church service.

Last year, she was involved in two musical productions, including traveling all the way to Papua to join a service at a church there. She said singers usually received a lot of offers to sing in churches in remote places.

When she still lived in Malang, East Java, the priest at her church would usually encourage the choir to sing in various cities, from Java to Kalimantan, over the holiday season.

They would receive money from the church, but it is considered “ persembahan kasih ,” or a reward, and not a fee. Lisa does not even like to refer to offers from churches as a “job,” as it would imply a very worldly meaning.

This year, she was asked to perform in churches in cities near her hometown of Malang. Lisa, who just joined a band called “The Extra Large” and thus cannot travel far too far away this year, will be performing alongside Teza on Christmas Day.

By taking offers to sing in church services, Lisa likes to test her own emotional capability.

“If I sing for a service, I have to mean it,” the 31-year-old said. “I can’t sing when I’m angry, because it will affect a lot of people, so if I wasn’t quite tuned, I would say no to the job.”

Lisa and Teza ­— both of whom were finalists for the popular reality TV competition “Indonesian Idol” in 2006 — said that a lot of offers to sing for services usually came for participants of shows like “The X Factor,” “The Voice,” “Indonesian Idol” or “Akademi Fantasi Indosiar.” For casual shows, they are usually asked to perform light and entertaining Christmas classics, such as “Silent Night” and “Have Yourself a Merry Little Christmas.”

“It usually depends on how the organizers see Christmas. For some people it’s festive, for others, it would be serene and it depends on the influence of their own church,” she said.

Lisa acknowledged that she faced her own dilemma as a singer. As a Catholic, she personally prefers a silent night way from loud festivities. But to be able to stay a part of the industry, she feels the need to switch her mind-set when performing at a service.

Either way, Christmas is a time to give praise and thanks. Due to her busy schedule, Lisa said she hadn’t had the chance to spend Christmas at home for the last couple of years.

This forces her to explore new ways to celebrate Christmas. Last year, she ventured to a new church and absorbed the spirit of Christmas on her own.

Sunday, April 14, 2013

PSY - GENTLEMAN M/V (Official new Video)





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'Gentleman' Psy unveils hip-swinging video

South Korean singer Psy (L) performs his hit single "Gangnam
Style" at a concert in Istanbul, on February 22, 2013 (AFP/File,
Ozan Kose)

Lyrics PSY - Gentleman M/V

Alagamun-lan, weh, wakun, heya, hanun, gon
Alagamun-lan, weh, makun, heya, hanun, gon
Alagamun-lan, ari, gari, hanon, kari, he
Alagamun-lan, we-like, we like party, hey
Ichiba, varriya, is hara moru, mashi sondori, yama, varriya
Yougun, pegi, tur, equa, machen, varriya
Noga, onku, pega, haga, kunge, nande, varriya
Damn girl, you're so freakin sexy

I-I-I I'm a, I-I-I I'm a
I-I-I I'm a, mother-father-gentleman

I-I-I I'm a, I-I-I I'm a
I-I-I I'm a, mother-father-gentleman

I-I-I I'm a, I-I-I I'm a
I-I-I I'm a, mother-father-gentleman

Alagamun-lan, weh, mikuneya, hana, gon
Alagamun-lan. weh, sikuneya, hana, gon
Alagamun-lan, pali, pali, wasa, nelly, neh
Alagamun-lan, nali, nali, nasa, pali, hee
Ichiba, varaniya, nori, moli, holy, daddy, chunga, ri
Varriya, get feeling, feeling good, brutake
Varriya, gachu, gunya, sorinage, sorinage
Varriya, damn girl, i'mma party, morphine

I-I-I I'm a, I-I-I I'm a
I-I-I I'm a, mother-father-gentleman

I-I-I I'm a, I-I-I I'm a
I-I-I I'm a, mother-father-gentleman

I-I-I I'm a, I-I-I I'm a
I-I-I I'm a, mother-father-gentleman

Gonna make you sweat
Gonna make you wet
You know who I am, west side
Gonna make you sweat
Gonna make you wet
You know who I am, west side

I-I-I I'm a, I-I-I I'm a
I-I-I I'm a, mother-father-gentleman

I-I-I I'm a, I-I-I I'm a
I-I-I I'm a, mother-father-gentleman

I-I-I I'm a, I-I-I I'm a
I-I-I I'm a, mother-father-gentleman

Wednesday, October 31, 2012

'Gangnam Style' Star Psy to Ride Into Jakarta

Jakarta Globe, Camelia Pasandaran, October 31, 2012

Korean rapper Psy will hold a Jakarta concert on Nov. 25, the concert
promoter announced on Wednesday. (AFP Photo)
 
            
Related articles

South Korean rapper Psy will gallop into Jakarta for a one-night concert next month, concert organizer Rajawali Indonesia announced on Wednesday.

The chubby singer, riding a wave of popularity from his infectious hit “Gangnam Style,” will perform at an undisclosed venue on Nov. 25, said Riska Laya, public relations manager for Rajawali Indonesia.

“We cannot make the venue public yet because there are still a number of documents to process,” she said.

Psy’s viral hit “Gangnam Style” inspired a record-breaking mass dance in Makassar’s Losari Beach earlier this month as some 12,000 Indonesian fans trotted along to the rapper’s iconic horse-riding dance.

Sunday, June 17, 2012

Java Gets Its Chance to Savor Dutch-Indonesian Piano Virtuoso

Jakarta Globe, Katrin Figge, June 17, 2012

Wibi Soerjadi, the 42-year-old Dutch-Indonesian pianist and composer, will
 come to Indonesia in late June and early July for a tour of Java on which he
will perform in Jakarta, Surabaya, Yogyakarta and Solo. (Agency Photo)
    

He has played in the world’s most highly esteemed concert halls, accompanied by renowned orchestras: Concertgebouw in Amsterdam, Musikverein in Vienna, and Carnegie Hall in New York.

Wibi Soerjadi, the 42-year-old Dutch-Indonesian pianist and composer, will come to Indonesia in late June and early July for a tour of Java on which he will perform in Jakarta, Surabaya, Yogyakarta and Solo.

It is a rare treat to witness the performance of a world-class pianist in Indonesia. Because of Wibi’s ancestry, it is that much more exciting.

Born to Indonesian parents in 1970 in Leiden, Wibi studied in Amsterdam at the Sweelinck Conservatory for four years before graduating with a special recognition for his exceptional skills at the piano.

After that he won several prizes, including the National Eurovision Competition for Young Musicians.

It was only the beginning of a stellar career. His recordings have been extremely successful, and in 2005, Wibi was invited to perform at a jubilee concert at Disneyland Resort Paris.

In 2006, he celebrated his 25th year as a pianist with a very special performance: as part of a Franz Liszt recital, Wibi played a recital in Amsterdam using a piano that once belonged to the 19th century Hungarian musician. The next year, he was knighted by Queen Beatrix of the Netherlands.

But it hasn’t been all awards and knighthood for Wibi. At the peak of his career in 2009, he was struck by a strange illness.

Called idiopathic sudden sensor neural hearing loss, it forced him to stop performing, but only for a couple of months. Although he had to cancel an earlier Indonesian tour, he was able to stay creative during his recovery, writing a nine-part composition during his concert-hall hiatus.

The first time he performed again, in Amsterdam, Dutch newspaper Algemeen Dagblad described his concert as “magnificent” and “breathtaking.”

Harry Rolnick, a critic for online magazine Concerto Net, wrote of Wibi’s performance at Carnegie Hall in early 2011: “After a long absence, the Dutch pianist-composer Wibi Soerjadi gave a “recital” last night, though that word is a misnomer. More accurately, Mr. Soerjadi presented two hours of fervor and digital frenzy, dazzling and confounding, where his ten fingers multiplied like dragon’s teeth, where his piano spat out thousands of notes per second.”

Rolnick compared Wibi’s performance to an enchanting show of a magician and praised his ability to combine classical music with show business.

“Mr. Soerjadi is not tyrannized by his fingers, he relishes the sound, speed and virtuosity which puts every internal or introspective thought out of his mind,” he wrote. “It was fun to hear him, it was the most dazzling entertainment imaginable.”

In addition to playing the piano, Wibi is also an accomplished composer.

He wrote, among others, specially commissioned pieces for Karen Venhuizen, the Dutch figure skater, and Anky van Grunsven, the dressage rider, who reveled in the World Championships and Olympic Games in 2008 to the sounds of Wibi’s “Dance of Devotion.”

Wibi Soerjadi
Piano recital
Wednesday, June 20, from 7:30 p.m.
Thursday, July 5, from 7: 30 p.m.
Erasmus Huis,Jl. Rasuna Said Kav. S-3,Kuningan, South Jakarta

Tuesday, November 29, 2011

All the Capital’s a Stage

Jakarta Globe, Tasa Nugraza Barley, November 29, 2011

For nearly four decades, the annual Festival Teater Jakarta has
had a critical influence on the capital’s performing arts. As it returns
for its 39th incarnation, the festival has prepared a variety of top-notch
performances and activities for theater fans.

Related articles

For nearly four decades, the annual Festival Teater Jakarta has had a critical influence on the capital’s performing arts. As it returns for its 39th incarnation, the festival has prepared a variety of top-notch performances and activities for theater fans. 

Festival Teater Jakarta was the first conceived in 1973 by movie director Wahyu Sihombing, well-known for his television series Losmen in the 1980s, after he won support for the festival from then-Governor Ali Sadikin and the Jakarta Arts Council.

With performances from 14 theater groups, this year’s festival promises to satisfy almost any theater fan’s tastes, according to Dewi Noviami, the chairman of the Council. The selected groups beat 42 others in the elimination stage, held during July and August.

To accommodate as big an audience as possible, the Council has decided to stage the performances at several venues.

“This year, the festival will not only be conducted at our headquarters at Taman Ismail Marzuki,” Dewi said of the event that runs until Dec 14. “We will also hold performances at venues in the five municipalities of Jakarta.” 

The other venues include Salihara, Gedung Kesenian Miss Tjitjih, Gedung Kesenian Jakarta, South Jakarta Gelanggang Remaja and West Jakarta Gelanggang Jakarta.

This year, the council chose the theme “Membaca Aku, Membaca Laku” (“Reading Myself, Reading My Inner Self”) to highlight the process of self-realization and understanding one’s outlook in life.

“When you have a good attitude and understand yourself, you will ultimately perform better on stage,” event organizers said in a press release.

Both aku (I) and laku (one’s inner self) should be perceived from beyond a theatrical perspective, event organizers said. These elements are central to everyone’s daily lives, making the theme applicable to any person, not only performers. Theater will survive as a form of entertainment for all of society, they said.

Stage Corner Community, a Jakarta-based theater club established in 2006, will perform at the first major event tonight. This year Stage Corner won the an arts grant from Kelola, organization, which promotes arts and culture. In the festival, the group will perform their play “Techno Ken Dedes,” directed by Dadang Badoet.

Set in the era of traditional Javanese kingdoms, the play tells the story of a beautiful princess, Ken Dedes. The play, however, will also explore issues that more directly related to modern life. 

On Thursday, Teater Sketsa will perform “Malam Jahanam” (“The Evil Night”), written by Motinggo Boesje and Ujang G.B., at Gedung Kesenian Miss Tjitjih in Cempaka Putih, Central Jakarta.

Then on Saturday, Teater Anam will present a play, “Roman,” which was written and directed by Herman A. Rasyid, at Teater Luwes at the Jakarta Art Institute. 

Malhamang Zamzam, the festival chairman, said that this year’s festival would feature five original scripts, each written by a different theater community.

This, he hopes, will encourage more artists to try their hand at producing original scripts themselves.

In addition to stage performances, the festival will feature drama script seminars, movie documentary screenings and discussions on literature and other topics, making this year’s celebration more multifaceted than that of previous years.

Some well-known figures including movie director Riri Reza and writer and journalist Goenawan Mohammad will also take part in the festival, Malhamang said.

Two books will be launched at the event: Fandy Hutari’s “Hiburan Masa Lalu dan Tradisi Lokal” (“Entertainment of the Past and Local Traditions”) and Nano Riantiarno’s “Kita Teater” (“Theater Holy Book”).

“This year’s Festival Teater Jakarta is not only a competition, but also a real festival with a lot of unique programs,” Malhamang said. “These programs are not only targeted toward theater enthusiasts, but also toward people who want to know more about theater and Jakarta’s art venues.” 

For more information, visit dkj.or.id or telephone 021 3193 7639

Saturday, April 23, 2011

RI to break world record with angklung performance in Washington

The Jakarta Post, Antara, Washington, Sat, 04/23/2011

Indonesia plans to break a world record by organizing an angklung traditional musical instrument performance featuring a record number of international participants in Washington DC on July 9.

Angklungschool of Pak Udjo / Bandung
The performance, which will be staged in National Mall park in the city center, is expected to be recorded by Guinness World Records, Antara news agency reported Saturday.

“We have contacted Guinness World Records [about the plan],” Indonesian Ambassador to the United States Dino Patti Djalal said as quoted by Antara in a recent interview.

Dino said the event would show Indonesia’s appreciation of UNESCO’s recognition of the Sundanese orchestral instrument as a world heritage.

Dino said that thousands of angklung were being prepared in Jakarta with the help of the Investment Coordinating Board.

“I won’t mention the figure but we are now preparing thousands of angklung to meet the target,” Dino said.

He said the participants would be briefed for 30 minutes on how to play the instrument and then given three opportunities to play a song. Those interested in participating can register by sending an email to indofest2011@embassyofindonesia.org.

The Indonesian embassy in Washington has ordered more than 2,000 sarong and batik shawls, which will be given to the participants during the performance.

In Indonesia, an angklung orchestra entered the Indonesia Museum of Records (MURI) on August 27, 2007, when around 10,000 people played angklung together at Padjajaran University in Bandung, West Java, to mark the university’s 50th anniversary.

Related Articles:



Angklung

Sunday, October 24, 2010

China sends prominent performers to Indonesia

English.news.cn   2010-10-24

JAKARTA, Oct. 24 (Xinhua) -- A Chinese ensemble group from People's Liberation Army (PLA) began cruise show on Saturday in the Indonesia capital of Jakarta.

The performance joined by award-winning artists is part of jubilation to commemorate 60 years of China-Indonesia diplomatic relations and "The year of Friendship" between the two countries.

Besides Jakarta, the ensemble group of more than 60 song and dance performers is scheduled to hold concert in South Sumatra's capital city of Palembang on Oct. 25 and in East Java's capital city of Surabaya on Oct. 27.

During their initial show, three singers sang Indonesian song, which were loudly applauded by viewers.

Editor: Zhang Xiang

Monday, August 30, 2010

Balinese gamelan shakes Russian music

Antara News, Monday, August 30, 2010 20:51 WIB | Entertainment

Jakarta  (ANTARA News) - The clink of Balinese traditional music, Gamelan, performed by a team from Indonesian Fine Arts Institute of Denpasar shook Russian music community, a release from the Secretary of the Indonesia Embassy in Moscow, Johannes O S Manginsela, said Monday.

The Indonesian team initiated their performance in the Philharmonic in Tula, 200 Km from Moscow.

With the theme "The color of Indonesia", the performance was part of the 60th anniversary of Indonesia-Russia diplomatic relations at the Indonesia Embassy, the Indonesian Fine Arts Institute of Denpasar, and supported by the Indonesia Education Ministry.

The Gamelan and Indonesian dance performances dazzled about 750 spectators at the theater in the hometown of the great Russian writer, Leo Tolstoy.

At the end of the performance, the spectators applauded and exclaimed `malajet...malajet,` which means great.

The Indonesia Fine Art Institute`s team also managed to mesmerize the Moscow art community in Rachmaninov Hall, Moscow Tchaikovsky Conservatory.

Some 200 spectators crammed the concert hall of the most prestigious school of classical music in Russia.

At the end of the show, the spectators kept applauding continuously that the Balinese artists had to drag themselves back to the main stage to perform an encore of additional Gamelan play for at least another 3 minutes as the final performance which was applauded by the spectators with a standing ovation.

The Gamelan play served as a background music of Indonesian dances such as Selat Segara from Bali, Padang Bulan from E Java, Oleg Tambulingan from Bali, Pakerana of Sulawesi, Mandau, Garuda, and Berburu from Papua.

Saman dance from Aceh, however, was accompanied by live traditional music relying the prime acoustic design of the concert hall without speakers or sound system.

Indonesia Ambassador to Moscow, Hamid Awaludin said the Indonesian art and culture exhibition and performance, which was artistic and cultural diplomacy, can encourage the development of Indonesian tourism sector.

The Russians who had known Bali as one of the tourism objects were expected to know Indonesia entirely through Bali.

The 60th anniversary of Indonesia-Russia diplomatic relations was a great momentum to improve the relations between the two countries.

Meanwhile, Margaritha Karatygina of the Moscow International relations department Tchaikovsky Conservatory appreciated and welcomed the success of Indonesia Fine Art Institute of Denpasar, and believed that the success will encourage Russian students to study Eastern music, especially Gamelan.

Indonesia has a very rich cultures, assistant rector of the Indonesia Fine Art Institute of Denpasar, I Wayan Suweca said, adding that the Institute presented a `Nusantara Package`.

Russia was one of the countries rich in arts and cultures with high appreciations, he said.

Both countries had potentials to develop cooperation in art and culture and the Art Institute of Denpasar was willing and ready to establish cooperation with the Russian Art institute, he said.
  

Thursday, April 15, 2010

Acclaimed Jakarta Choir Planning Symphony of Sound for Concert Hall

Jakarta Globe, Rilwan Hamzah, April 15, 2010

The choir has lifted its voice all around the world, including winning a prestigious competition in France.  (Photo courtesy of Rilwan Hamzah)

The Batavia Madrigal Singers, an award-winning Indonesian choral group, will perform their second annual Sanguinis Choraliensis concert at Aula Simfonia concert hall in Kemayoran, Central Jakarta, on Saturday.

With Sanguinis Choraliensis, which refers to the joy of choral singing, the group hopes to bring choral music to a wider audience and dispel the notion that it can only be enjoyed in a religious context.

The choir, which includes both Muslim and Christian performers, will sing through a repertoire spanning sacred music from the Renaissance all the way through secular modern compositions, including pop and folk songs.

Several sacral polyphonic compositions from the Renaissance and Baroque eras by Giovanni Pierluigi da Palestrina, Heinrich Schutz and Henry Purcell will open the concert, followed by Romantic and modern pieces by Josef Rheinberger, Knut Nystedt and a composition by young local composer Ivan Yohan, a member of the choir who is currently pursuing his music studies in the Netherlands.

Love and natural beauty have always been sources of inspiration for composers, and these themes will be presented in compositions by Claude Debussy, Morten Lauridsen and Gabriel Faure.

And folk songs by Donald Patriquin, Michael McGlynn and Sam Pottle, given fresh new arrangements, will bring the concert to its conclusion.

The Batavia Madrigal Singers are one of the country’s most prominent vocal ensembles that has performed around the world, including in Japan, the Netherlands, Italy and Austria. In 2001 they won prestigious international choir competition Florilege Vocal de Tours in France, where they also received a special award from the nation’s Ministry of Culture for the best interpretation of a French composition. The choir’s success lead to an invitation to perform at the Polyfollia international choral festival in Normandy, France, in 2002. In 2009, the choir took second in the Maribor choir competition in Slovenia.

These triumphs can be attributed to the talent and passion of the singers, but credit is also due to the choir’s conductor and musical director, Avip Priatna, a young Muslim who fell in love with choral singing while studying architecture in Bandung.

After graduating, Avip traveled to Vienna to pursue a masters degree in choir and orchestra conducting. He founded the Batavia Madrigal Singers in 1996 with alumni from Parahyangan Catholic University, and in 2002 he founded the Jakarta Chamber Orchestra, which has become one of the most highly regarded in the nation.

Sanguinis Choraliensis
Saturday, April 17 , 7:30 p.m.
Aula Simfonia, Jl. Industri Blok B 14 Kav 1
Kemayoran, Central Jakarta

Tickets: 021 720 1918 or 0858 1414 2277

Friday, April 9, 2010

Ikke Nurjanah brings ‘dangdut’ to America

The Jakarta Post, Jakarta, Thu, 04/08/2010 8:31 AM

Dangdut diva Ikke Nurjana

JAKARTA: Dangdut diva Ikke Nurjanah will be having an unforgettable month of April, as she will fly to the US to promote dangdut to locals there.

American event organizer Sireedee Entertainment is inviting Ikke to the US to hold seminars about dangdut at the University of Pittsburgh and John Hopkins University.

“After the discussions, I will hold some gigs in Washington DC, New York and Pittsburgh,” said the single mother of one, as quoted by newsportal kapanlagi.com. “I will perform with a dangdut band called Cowboys, which was formed by Professor Andrew Weintraub from the University of Pittsburgh.”

Ikke is the second dangdut singer ever invited by the organizer, after Rhoma Irama. According to Ikke, dangdut is starting to attract the attention of Americans, with locals increasingly holding contests and discussions there about dangdut.

“They have held many dangdut events already, and there’s even one book on dangdut published there [in the US],” said Ikke. “When they sent their invitation, they told me that they wanted to explore my songs”. — JP

Sunday, January 31, 2010

A Wayang Master and His Puppets

Jakarta Globe, Ade Mardiyati, January 31, 2010

Among Tizar Purbaya’s golek Betawi collection are former President Sukarno, left, President Susilo Bambang Yudhoyono, right, and the kuntilanak witch (above Sukarno). (JG Photos/Ade Mardiyati)

Tizar Purbaya, one of the country’s most celebrated puppeteers, is not the kind of man who separates his home and work lives.

One peek inside his house is proof of both his dedication to and his immersion in his art. The puppet master owns more than 7,000 wayang from across the archipelago, and row upon row of the puppets line every nook and cranny of his two-story home in Sunter, North Jakarta.

In the room where he receives visitors, a dazzling array of puppets is arranged neatly — almost from floor to ceiling — based on characters, origin and the region where they come from. The 60-year-old puppeteer says his passion for wayang was infused in him by the countless number of performances he attended, as well as the regular wayang broadcasts he listened to on the radio, while growing up in West Java

“I was lucky that when I was a kid, there was no TV or outside culture to distract me,” the father of four says. “When watching a performance, I used to sit on the wooden box near the dalang [puppet master] where the puppets were stored, just so that I would be able to help him get the wayang in and out of the box.”

Born to Sundanese and Betawi parents, Tizar was adventurous from an early age.

“I even went to Jakarta to catch a live show [on my own],” Tizar recalls. “I was about 7 years old at the time. I was a free boy. I could go wherever I wanted to and no one would look for me.”

Tizar developed a passion for wayang and nurtured his hunger to learn more about the craft. Not satisfied with just watching the shows and collecting puppets, he craved the experience of being a dalang himself. But it was not until 1974, when he was in his mid-20s, that he got his chance. His first performances were in shows based on classical Sundanese wayang stories.

Four years later, Tizar started a business selling wayang. He produced puppets with his assistants and sold them at Pasar Seni, an art market in Ancol, North Jakarta.

“Pasar Seni was really good back then. A lot of people went there, including tourists from foreign countries,” he says. “Now, it looks like a cemetery. There are only a few kiosks there that are still holding on.”

Ricky Purbaya, Tizar’s 29-year-old son, says that many foreigners who had gone to Pasar Seni before are now disappointed with the state of the market.

“There was this old Dutch couple who said, ‘It was really good when we visited the market when were young,’ ” Ricky recalls.

With the market’s decline, Tizar decided to start selling his wayang from home. Famously, he doesn’t limit himself to producing puppets in the classic style, but also produces customized puppets based on orders from individual clients. Some clients send Tizar photos of themselves and the master then crafts puppets based on the photographs. In his early days of making puppets, many of his clients were foreigners, and Tizar long ago lost track of the number of puppets he has made, but remains modest about his skills.

“People like them. I have made a lot of them up to now,” he says simply.

When he took orders in those early days, Tizar never intended to use custom-made puppets in his performances. It was not until 1998 — when Indonesia was in the grip of financial and political turmoil and many of his foreign clients fled without claiming their made-to-order puppets — that he decided to incorporate these puppets into his shows.

“There were a lot,” Tizar recalls. “I didn’t know what to do with these bule puppets.”

He could not stand to just let the strange-looking, mostly fair-skinned puppets sit to one side, abandoned. “I remembered I had always dreamed about doing something for Jakarta. I wanted it to have its own version of puppets. The Javanese have theirs, the Sundanese theirs. The Betawi didn’t [at that time],” he said.

It did not take long for the idea of creating a puppet style to represent Jakarta natives to take hold, and golek Betawi — “golek” being Sundanese for puppet — was born.

“At the Betawi puppet shows, I perform stories based on the Dutch colonial era and I use the bule puppets I have as Dutch soldiers,” Tizar explains.

Among his puppets fashioned after real people are former US President George HW Bush and his wife, Barbara, which he used in a performance during Bush’s visit to Jakarta in 1994. “We even made a puppet of the president’s dog and it was also included in the five-minute performance,” Ricky says. “The president loved it.”

But Tizar’s favorite creations are the puppets he made during his first few years as a dalang because they can do special things. “My puppets can smoke, eat noodles and vomit,” Tizar laughs.

Inspired by puppets used in Japanese bunraku , that country’s traditional puppet theater, Tizar learned new techniques. He began to master the art of creating puppets that could blink their eyes and move their mouths.

He was so successful that his puppets progressively advanced from the original techniques he found in bunraku. When he performed in Japan, the audience was amazed, he says. “A professor who also makes bunraku puppets was part of the audience,” Tizar says. “He asked me a lot of questions, such as how could the puppet’s nose grow longer, or how they could puff on cigarettes.”

Tizar’s golek Betawi have become such a hit that he has been invited to perform all over Indonesia and abroad. One secret, Tizar says, is that he often tells stories built on current events.

“As long as you know the basics of the story, with all the characters, you can change the setting to today,” he says.

As long as the essence of the legend is intact, anything can be incorporated. “Take, for example, when [Islamic group] Muhammadiyah asked me to perform. I used a story about raids over so-called wrongdoings, you know like the ones [by hard-line Muslim group] FPI, but the main character was Si Jampang [a legendary Betawi character said to have lived during the colonial era].”

Does he touch on today’s really hot issues, such as the Corruption Eradication Commission’s problems or the Bank Century bailout? No, Tizar says, but he has been asked to. “How can I tell a story whose truth is still unknown? Like Antasari [Azhar], we still don’t know whether he is involved or not. I don’t want to judge in my stories,” he says, referring to the former head of the anticorruption body. “One thing for sure is that I don’t want to become famous on [the back of] people’s sorrows.”

The only thing Tizar wants now is to see new Betawi puppeteers follow in his footsteps. The only person he sees as able to fulfill his wish at the moment is his son Ricky. “I did not create this for myself, this is for everyone,” he says.

Tizar says he would like to see the Jakarta administration set up a school where anyone can learn golek Betawi. “It’s too bad they haven’t thought about things like that,” he says. “It would be hard for me to do it myself. First, I’m too old to build a school. Then it wouldn’t be easy to secure a location for it and get the funding. I’m tired.”

Tizar also has harsh words for Jakarta Governor Fauzi Bowo, whom he says did not fulfill his promise to help preserve his art. In an encounter with the governor a month before the city’s anniversary last year, Tizar says Fauzi promised him some stages that he could use to perform on during the celebrations. “I remember he said: ‘I’ll have my people contact you’ when I gave him my business card, but nothing happened,” Tizar says.

“When I met him again on a different occasion, he asked about that and I told him what happened and he made another promise, but it was the same. Nothing happened. It was just lip service.”

Tizar says that the failure to preserve the country’s traditional arts can lead to problems, such as the claims other countries have made to Indonesia’s heritage. “And when it happens,” Tizar says, “people can only cry out loud.”