Indonesia executes six drug convicts, five of them foreigners

Indonesia executes six drug convicts, five of them foreigners
Widodo has pledged to bring reform to Indonesia

Ban appeals to Indonesia to stop death row executions

Ban appeals to Indonesia to stop death row executions
United Nations Secretary General Ban Ki-moon has pleaded to Indonesia to stop the execution of prisoners on death row for drug crimes. AFP PHOTO

Pope: 'Death penalty represents failure' – no 'humane' way to kill a person

Pope: 'Death penalty represents failure' – no 'humane' way to kill a person
The pope wrote that the principle of legitimate personal defense isn’t adequate justification to execute someone. Photograph: Zuma/Rex

Obama becomes first president to visit US prison (US Justice Systems / Human Rights)

Obama becomes first president to visit US prison   (US Justice Systems / Human Rights)
US President Barack Obama speaks as he tours the El Reno Federal Correctional Institution in El Reno, Oklahoma, July 16, 2015 (AFP Photo/Saul Loeb)

US Death Penalty (Justice Systems / Human Rights)

US Death Penalty (Justice Systems / Human Rights)
Woman who spent 23 years on US death row cleared (Photo: dpa)



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"The Recalibration of Awareness – Apr 20/21, 2012 (Kryon channeled by Lee Carroll) (Subjects: Old Energy, Recalibration Lectures, God / Creator, Religions/Spiritual systems (Catholic Church, Priests/Nun’s, Worship, John Paul Pope, Women in the Church otherwise church will go, Current Pope won’t do it), Middle East, Jews, Governments will change (Internet, Media, Democracies, Dictators, North Korea, Nations voted at once), Integrity (Businesses, Tobacco Companies, Bankers/ Financial Institutes, Pharmaceutical company to collapse), Illuminati (Started in Greece, with Shipping, Financial markets, Stock markets, Pharmaceutical money (fund to build Africa, to develop)), Shift of Human Consciousness, (Old) Souls, Women, Masters to/already come back, Global Unity.... etc.) - (Text version)

… The Shift in Human Nature

You're starting to see integrity change. Awareness recalibrates integrity, and the Human Being who would sit there and take advantage of another Human Being in an old energy would never do it in a new energy. The reason? It will become intuitive, so this is a shift in Human Nature as well, for in the past you have assumed that people take advantage of people first and integrity comes later. That's just ordinary Human nature.

In the past, Human nature expressed within governments worked like this: If you were stronger than the other one, you simply conquered them. If you were strong, it was an invitation to conquer. If you were weak, it was an invitation to be conquered. No one even thought about it. It was the way of things. The bigger you could have your armies, the better they would do when you sent them out to conquer. That's not how you think today. Did you notice?

Any country that thinks this way today will not survive, for humanity has discovered that the world goes far better by putting things together instead of tearing them apart. The new energy puts the weak and strong together in ways that make sense and that have integrity. Take a look at what happened to some of the businesses in this great land (USA). Up to 30 years ago, when you started realizing some of them didn't have integrity, you eliminated them. What happened to the tobacco companies when you realized they were knowingly addicting your children? Today, they still sell their products to less-aware countries, but that will also change.

What did you do a few years ago when you realized that your bankers were actually selling you homes that they knew you couldn't pay for later? They were walking away, smiling greedily, not thinking about the heartbreak that was to follow when a life's dream would be lost. Dear American, you are in a recession. However, this is like when you prune a tree and cut back the branches. When the tree grows back, you've got control and the branches will grow bigger and stronger than they were before, without the greed factor. Then, if you don't like the way it grows back, you'll prune it again! I tell you this because awareness is now in control of big money. It's right before your eyes, what you're doing. But fear often rules. …
Showing posts with label Poet. Show all posts
Showing posts with label Poet. Show all posts

Saturday, November 15, 2008

Ayu Utami, Nirwan Dewanto win Khatulistiwa literary prize

Ary Hermawan and Matheos Messakh, The Jakarta Post, Jakarta | Sat, 11/15/2008  

Author Ayu Utami was announced the winner of the Khatulistiwa Literary Award 2008 late Thursday for her novel Bilangan Fu (Fu Number), a criticism of modernism, militarism and monotheism. 

Ayu, who has slammed the award as a "literary competition without literary criticism", was represented at the event at Plaza Senayan, Central Jakarta, by her publisher, Kepustakaan Populer Gramedia. 

"I am happy to receive the award, but I will not retract my criticism of the competition," she told The Jakarta Post on Friday. 

Nirwan Dewanto was awarded the prize in the poetry category for his work titled Jantung Lebah Ratu (The Queen Bee's Heart). 

In the young talents category, Wa Ode Wulan Ratna was awarded for her work Cari Aku di Canti (Find Me in Canti). The 15 finalists in the three categories were also recognized for their achievements. 

The Khatulistiwa award was established by writer and bookstore owner Richard Oh in 2001. 

Ayu said her latest novel was "more solid and complex" than her previous ones, the critically acclaimed Saman and Larung, which was nominated for the award in 2002. 

Ayu, who turns 40 this Nov. 21, also received the 2000 Prince Claus Award from the Netherlands government. 

The award, which honors Indonesia's best fiction and poetry, selects original works published between July 2007 and June 2008 and distributed across Indonesia. 

The winners in the prose and poetry categories each received Rp 100 million (US$8,800) in cash, while the winner of the young talented writer category received Rp 25 million. 

The panel of judges in the final stages consisted of Seno Gumira Ajidarma, Budi Darma, Linda Christanty, Remy Sylado and Hamsad Rangkuti. 

Seno Gumira Ajidarma praised Ayu Utami's criticism of current popular beliefs. 

"She is brave enough to be unpopular in this way of writing. Many people think a novel should be a light read but Ayu dares to make people wrinkle their brows when they read Bilangan Fu," Seno said. 

He said Nirwan Dewanto had shown great achievements with the poetic form in Jantung Lebah Ratu

"The hardest thing in poetry is that you have to express some sophisticated ideas in a short and specific piece," Seno said. 

As for Ayu's claim that the award lacked serious literary criticism, Seno, who has won awards himself, said, "Don't take it too seriously ... It's not like defending a doctorate thesis." 

The other books that made it to the short list were Hubbu by Mashuri, Rahasia Meede (Meede's Secret) by ES Ito, Kacapiring by Danarto, and Glonggong by Junaedi Setiyono. 

Shortlisted in the poetry category were also Teman-Temanku dari Atap Bahasa (My Friends from the Roof of Language) by Afrizal Malna, Pandora by Oka Rusmini, Sajak-sajak Menjelang Tidur (Bedtime Poems) by Wendoko, and Orgasmaya by Hasan Aspahani.


Thursday, May 15, 2008

Bali builds modern port for cruise ships

The Jakarta Post

Antara, Denpasar | Thu, 05/15/2008 6:31 PM

A modern port aimed at attracting more foreign cruise ships is under construction in Karangasem district, Bali, Bali transportation agency head Putu Sujana said here Thursday.

Once the port is completed, foreign cruise ships passing Indonesian waters could schedule a few days for a port call in Bali, Sujana said.

"Luxury cruise ships carrying tourists from other countries to Singapore are expected to come to Bali once the modern, permanent port is ready."

Sujana said at least 300 luxury cruise ships arrived in Singapore every year, each carrying around 1,500 to 2,000 tourists.

"Floating hotels on their way to a number of countries in Asia usually pass Indonesian waters. They are expected, therefore, to stop in Bali when the port is ready."

Even if only a half of the 300 cruise ships stop in Bali, it would have a positive impact on tourism in the province, he said.

Financial support for the port is coming from the central government, Bali provincial administration and Karangasem district administration, Sujana said.

Construction is expected to finish in 2009.

At least 17 cruise ships with thousands of foreign tourists stopped at the old port in Karangasem in 2007 and 15 cruise ships in 2006.

One of them was the Italian Costa Marina with 496 tourists, which anchored at Karangasem port for two days.

Before the Bali bombing tragedy, said Sujana, more than 20 cruise ships stopped in Bali and in 1995 alone 70 of them with hundreds of thousands of tourists arrived at the resort island.


Saturday, January 19, 2008

Writers Acep, Sakai win Khatulistiwa award

The Jakarta Post

Khatulistiwa Literary Award founder Richard Oh congratulates Farida Susanti, winner of this year's Khatulistiwa award for the Best Young Writer category, in Dan Hujan pun Berhenti (And the rain stops) on Friday night.

The best poet category award went to Acep Zamzam Noer for his most outstanding work, Menjadi Penyair Lagi (Being a Poet Again).

Gus tf Sakai, writer of Perantau (Migrant), and winner of the best prose category, was absent from the ceremony.

The award presentation took place at Plaza Senayan, Jakarta.

This year, the prestigious literary award offered generous cash prizes of Rp 100 million (about US$11,000) for the prose and poetry categories and Rp 25 million for the young writer category.

Acep, 47, received a fellowship from the Italian government to live and work in Perugia between 1991 and 1993.

He has since been a leading literary figure in his home town of Tasikmalaya, West Java.

Gus tf Sakai, 42, is a prolific short story writer from West Sumatra. He has won acclaimed awards including Lontar Literary Award (2001) and Pusat Bahasa Literary Award (2002).

Farida has been making a name for herself among readers of teen literature. She won a short story competition held by Kawanku teen magazine in 2006.

Sunday, October 21, 2007

Women writers challenging the status quo

Michele Cempaka, Contributor The Jakarta Post, Ubud

Meita Kasim, an up-and-coming Indonesian writer and Dorothea Rosa Herliany, a well known contemporary Indonesian poet stood out from the rest of the writers at last month's UWRF festival in Ubud: They are prime examples of women writers who dare to challenge the status quo.

At the discussion "Alternative Modernities" Cyril Wong, a renowned gay poet from Singapore, talked about what it was like to be a gay writer in a country that is not very supportive of homosexuality.

Meita Kasim boldly asked him about how he dealt with censorship? He replied, "Actually my publisher told me to cut some risque lines out of my poems and I did it because I wanted my book to be published. You have to take small steps and eventually your writing will be totally accepted, but it takes time."

After the discussion, Meita sat down with the Jakarta Post to discuss her life as a struggling writer.

"I'm a bit of a rebel," said Meita who is now 32 years old. She took a leap of faith and moved to Bali seven years ago from Jakarta against her parents' wishes. Previously she worked as both a magazine editor and radio scriptwriter, but her true passion is fiction.

She is currently working on a new project which has sparked some controversy, because it deals with homosexuality; one of the main characters is a gay and hasn't come out yet, but at the end of the story reveals his true self.

She had asked Cyril Wong about censorship, because she was confronting this issue in her own work.

"I showed the story to a friend of mine who is a publisher; he told me that Indonesia just isn't ready to deal with such a controversial topic with the political climate being what it is."

"If I really want this project to be accepted, I may have to tone down this character quite a bit."

When asked whether she felt it was more difficult for Indonesian women writers Meita said, "Yes, because women are in the spotlight so we really have to prove ourselves, while it's not that way for men, because men have more freedom in this society to say and do what they want."

"People keep telling me that I should try to earn money writing non-fiction or find something else, but I don't want to. I got sidetracked for so many years doing other things that I didn't really want to do, because I didn't believe that I could support myself in writing only fiction, but now that's what I'm committed to -- I just want to write fiction."

In contrast, Dorothea Rosa Herliany is typical of the second generation of Indonesian writers which emerged after the 1980s. She was educated in the Indonesian language and was raised primarily on Indonesian literature. She grew up in Magelang just outside of Yogyakarta in Central Java, where she is currently the publisher of Indonesia Tera.

Rosa is perhaps one of the most important contemporary poets in Indonesia. Her achievement as a poet was recognized when she was awarded the Khatulista Literary Award for poetry in 2006.

When the Jakarta Post asked her what it means for Indonesian writers to have a platform at the festival Rosa replied, "I don't have any special feeling. I was the Indonesian coordinator of the first writer's festival, so I have a historical background. I have a close connection with this festival not just because I'm a writer."

Rosa feels that there needs to be more Indonesians on the Festival Steering Committee which consisted of ten members who were mostly westerners with the exception of two Indonesians: Panji Tisna, writer, arts manager and cultural commentator and Bundhi Marcello, translator and language trainer.

"Indonesian writers should not be marginalized," said Rosa. "The festival should work more towards joining Indonesian writers with western writers."

Rosa also says that in Java, most people feel that the festival is concerned more with foreign writers.

"The focus of the festival is not on the Indonesian writers. We want the festival to be arranged so that there's a special program for Indonesian writers -- maybe a certain space or event that is allocated only for Indonesian writers.

"Because this festival happens in Indonesia, this is a great opportunity for more people to know about Indonesia. Many people don't even know where Indonesia is. This festival should be something special for Indonesia," said Rosa.

As an Indonesian woman writer, Rosa has felt lucky because things have been easier for her than for other women. "I'm not a typical case, because I have my own publishing house and know many publishers."

"But for other women who live in remote areas in Indonesia, it's very, very hard. They don't have any access to information or even have a computer."

"Another example is that as women, they may have many problems at home. They would be lucky if they have a husband who understands about literature. But,I'm not sure; maybe some men don't want their wife to be a writer?"

According to Rosa it's much easier for writers to get published today because there are many Indonesian publishers looking for writers. That was not the case for Rosa and her generation. During her youth, it was rare to have a book published because there were so few publishers available.

"Right now is really the women writer's generation." "It's very easy now for writers to get published. Writers just need to send their work and most likely they will get published."

Rosa's poetry is edgy and intense, giving the reader a glimpse of the troubles many women face in her culture.

When asked why she writes about such disturbing topics she said, "I think women's problems should be made public. I think I should write something powerful so it has an effect on people. If someone reads my work they will get an insight into the problems which exist in our society."

Monday, June 25, 2007

French govt to honor journalist Goenawan

JAKARTA (The Jakarta Post) :The French government will honor prominent Indonesian journalist and noted poet and writer Goenawan Mohamad with the Chevalier dans L'ordre des Arts et des Lettres award.

The French Embassy in Jakarta announced Ambassador Catherine Boivineau will present the award to Goenawan on Monday, in a ceremony at the ambassador's residence in South Jakarta.

Goenawan, the former chief editor of Tempo news magazine, received the prestigious Professor A. Teeuw award from the Netherlands in 1993.

That same year, Goenawan -- who will turn 66 next month --was selected for a Nieman Fellowship to study at Harvard University in the United States.

For his exemplary journalistic work, the Stanley Foundation's publication, World Press Review, selected Goenawan as "International Editor of the Year" in 1999.

The honor, according to the Review, goes to an editor working outside the U.S., who displays courage and leadership in advancing press freedom and human rights, as well as boosting excellence in journalism.

It is a tradition for France to honor artists, writers, journalists and activists from all over the world every year.

Last week, Ambassador Boivineau presented the same award to Jakarta Paris Forum executive Winarsih Arifin for his efforts to enhance ties between the two countries.

Other Indonesians who have been honored by France over the years include singer Anggun, academic Ida Sundari Husen, Culture and Tourism Ministry secretary-general Sapta Nirwandar and a former chief editor of The Jakarta Post, Raymond Toruan

Saturday, May 5, 2007

Urging return to traditional values

I.D. Nugroho, The Jakarta Post, Sumenep, Madura

Madhura ampon kalonta e manca naghara/Buja tor tana kapor/Santre tor para keyae/Maasre sahajana baburughan...

Madura has gained world fame/Tho' it abounds in only salt and lime/With its Muslim students and clerics/All its pursuits will come true...

The verse above, quoted from the work of Madura-born poet Ismail, was recited on the sidelines of a cultural congress on Madura, a major East Java island, which was held to hear the Madurese people's aspirations for their future.

The Pamekasan poet's dream virtually amounts to the hopes of the entire island population, as was revealed at the inaugural Congress on Madura Culture, held in Sumenep from March 9-11.

Initiated by intellectuals, artists and cultural experts of the "salt island", the congress was prompted by concerns that the Madurese community had not risen above its lower-middle economic bracket, let alone its ethnic stereotypes.

"There are 13 million Madurese citizens in Indonesia, but only three million live on this island while the rest have spread all over the country. It's a sad thing to note that life in this region has remained unchanged," said Mien Ahmad Rifai, a Madurese researcher at the Indonesian Institute of Sciences (LIPI).

"The time has come for Madura to start growing and be developed by its own people," added Said Abdullah, a Madurese member of the House of Representatives.

Their concerns found an outlet as the island's thinkers came up with the idea of convening the congress under the auspices of the Said Abdullah Institute (SAI) -- a center that focuses on women's education and empowerment. With the support of a local non-governmental organization, Ngadek Sodek Parjuga, and two media, a total of 150 delegates from four regencies of Madura, Bangkalan, Sampang, Pamekasan and Sumenep, attended the congress.

National and international experts and observers of Madura were also invited as keynote speakers, including man of letters D. Zamawi Imron, LIPI researcher Mien Ahmad Rifai, Madura conflict researcher A. Latief Wijaya and Dutch anthropologist Huub de Jonge of Radboud University in Nijmegen, the Netherlands.

The community living on the 5,300 sq km island is inseparable from its lofty values that serve as guidelines of life in the region, said to have been inhabited for the first time some 4,000 years ago.

"The values of life are followed by locals as rules of their livelihood, but regrettably the knowledge is considered sacred and thus impossible to develop, not to mention innovate," said Mien Rifai.

As time has passed by, the conservative character of this community has left it behind, prompting the stereotype of the rude, rowdy, irritable, hot-blooded and ill-mannered Madurese -- and ensuing public avoidance, resistance and rejection.

"Worse still, ethnic Madurese are seen as lacking initiative, being rigid, unable to keep pace with progress, and so forth," Rifai added.

These impressions are seemingly justified by the backward physical condition of the island compared with the other areas of East Java, although Madura is geographically closest to Indonesia's second largest city, Surabaya. Rifai even likened the fate of the Madurese to Jewish, Chinese, Armenian and Kurdish minorities, whose presence has always aroused suspicion.

"The social environs where the four groups live won't let them grow," Rifai pointed out.

What actually lies behind the negative public image of the Madurese people is misunderstanding of their traditions and customs.

For example, regarding the assumption that the Madurese community is inclined to be "violent", an analysis by Madura conflict researcher Dr. A. Latief Wijaya showed that the ethnic culture of the Madurese demands a strict or firm approach -- rather than "violence". This attitude is easily noticeable in their choice of colors and in their cuisine.

"If they choose red, it's just plain red, and blue is blue, there's no shade or hue. So is food -- they like strong tastes," said Latief.

In interaction, however, this firmness appears spontaneously, often combined with heightened expressiveness. But this is not without reason.

"The spontaneity and overreaction arise when Madurese people are degraded, or in their own words tada ajhina (their very existence is ignored)," he said.

In the middle of 2006, for example, a brawl broke out in Batu Marmar district, Pamekasan, in which long-bladed sickles, a typical Madurese weapon, were used. Triggered by a land dispute, seven people were killed and dozens of others injured in the clash. While the public assumed that the fighting had been prompted by the Madurese's "belligerent" culture, in reality it stemmed from an ordinary financial spat.

Dutch anthropologist Dr. Huub de Jonge noted that the survival ability of the Madurese could be compared with Raas Island inhabitants in Bali. The endurance and close social bonds among the Raas dwellers have made them successful.

"The Raas community in Bali was once alienated and even forced out when Indonesia underwent economic crisis, but this group eventually survived and succeeded," added de Jonge.

Latief also suggested that ethnic Madurese should be aware that their harsh reaction was not the behavior proscribed by the noble values of their ancestors. This awareness should be reflected in their determination to replace the current mind-set.

"The mind-set should be built into a framework of mutual appreciation and respect among Indonesians, unification in peace, order and welfare," he proposed.

Nevertheless, this expected fundamental change cannot come from the local community, so other parties needed to give encouragement -- notably the government through its continuous attempts to realize the transformation.

"Formal education is the answer, by which Madura's cultural values can be inherited," said Syukur Ghazali, a scholar at Malang State University.

The high and religious cultural values that pervade the ethnic soul of Madura are not destructive, nor do they conform to the negative stereotypes so far assumed by society at large. The question is, according to Ghazali, whether education in Indonesia is capable of carrying it out.

"The fact is that we still judge educational quality by the facilities offered rather than the achievements made," he said.

Therefore, the school curriculum should be changed by the official inclusion of the Madurese language, with an aim to provide more opportunities for ethnic Madurese to interact formally in their native tongue.

"In religious education, ways should be sought to transform religious teachings into daily behavior instead of being a mere subject," Ghazali added.

A Madurese community figure and head of Sumenep's Pesantren Al Amien Islamic boarding school, Muhammad Idris Jauhari, said cultural and religious education could be undertaken effectively by further empowering the existing pesantren on the island.

The Islamic schools are to maintain local traditional values, called salaf, while accommodating modern values known as kholaf to achieve the goals of education.

Pesantren are also accessible to nearly all community members, most of which charge annual boarding and tuition at no higher than Rp 250,000.

A movement to nurture the love of Madurese traditional arts is another way of inculcating the islanders' cultural values.

D. Zawawi Imron described the importance of being Madura-conscious by reading his poem at the opening of this congress: I dare to chase high waves/To embrace the moon and pluck the stars/In the spiritual arms of my ancestors, in the heavens I vow/Madura, I'm your blood.

The artistic values of Madura are also reflected in the movements of local dances such as Alalabang and Muang Sangkal. In Sumenep alone exist about 10 traditional dance groups with a total of 600 members.

"Through this means (dance) we provide guidance for the present generation to preserve Madurese culture," head of Pottre Koneng Studio Edy Susanto told The Jakarta Post.

Dozens of youngsters between 6 and 18 years old were practicing traditional and modern dances guided by two assistant instructors in the studio on March 11, with their parents -- mostly mothers -- observing.

"I'm very happy my daughter is here taking dance lessons, as most of our family like traditional arts," said Sri Hidayati, who was accompanying 6-year-old Nafilatul Muzawaroh.

This endeavor -- to reintegrate Madurese culture and consciousness as a drive toward development -- is far from simple and will not be achieved by one cultural congress, but this is a step in the right direction.

It is hoped that formal education, combined with the spirit of ancestral Madurese values will eventually create a community of "new" Madurese with a reinvigorated mind-set. And through this, the negative stereotypes that have long been laid at the feet of ethnic Madurese are to be eliminated toward realizing the poet Ismail's dream of a successful Madura.