Cempaka Culture and Tourism: Dance draws on Javanese and Tai Chi traditions

"The Recalibration of Awareness – Apr 20/21, 2012 (Kryon channeled by Lee Carroll) (Subjects: Old Energy, Recalibration Lectures, God / Creator, Religions/Spiritual systems (Catholic Church, Priests/Nun’s, Worship, John Paul Pope, Women in the Church otherwise church will go, Current Pope won’t do it), Middle East, Jews, Governments will change (Internet, Media, Democracies, Dictators, North Korea, Nations voted at once), Integrity (Businesses, Tobacco Companies, Bankers/ Financial Institutes, Pharmaceutical company to collapse), Illuminati (Started in Greece, with Shipping, Financial markets, Stock markets, Pharmaceutical money (fund to build Africa, to develop)), Shift of Human Consciousness, (Old) Souls, Women, Masters to/already come back, Global Unity.... etc.) - (Text version)

“… The Shift in Human Nature

You're starting to see integrity change. Awareness recalibrates integrity, and the Human Being who would sit there and take advantage of another Human Being in an old energy would never do it in a new energy. The reason? It will become intuitive, so this is a shift in Human Nature as well, for in the past you have assumed that people take advantage of people first and integrity comes later. That's just ordinary Human nature.

In the past, Human nature expressed within governments worked like this: If you were stronger than the other one, you simply conquered them. If you were strong, it was an invitation to conquer. If you were weak, it was an invitation to be conquered. No one even thought about it. It was the way of things. The bigger you could have your armies, the better they would do when you sent them out to conquer. That's not how you think today. Did you notice?

Any country that thinks this way today will not survive, for humanity has discovered that the world goes far better by putting things together instead of tearing them apart. The new energy puts the weak and strong together in ways that make sense and that have integrity. Take a look at what happened to some of the businesses in this great land (USA). Up to 30 years ago, when you started realizing some of them didn't have integrity, you eliminated them. What happened to the tobacco companies when you realized they were knowingly addicting your children? Today, they still sell their products to less-aware countries, but that will also change.

What did you do a few years ago when you realized that your bankers were actually selling you homes that they knew you couldn't pay for later? They were walking away, smiling greedily, not thinking about the heartbreak that was to follow when a life's dream would be lost. Dear American, you are in a recession. However, this is like when you prune a tree and cut back the branches. When the tree grows back, you've got control and the branches will grow bigger and stronger than they were before, without the greed factor. Then, if you don't like the way it grows back, you'll prune it again! I tell you this because awareness is now in control of big money. It's right before your eyes, what you're doing. But fear often rules. …”

Saturday, January 31, 2009

Dance draws on Javanese and Tai Chi traditions

Matheos Viktor Messakh, THE JAKARTA POST, JAKARTA | Sat, 01/31/2009 10:54 AM

A contemporary dance performance will be held at the Salihara Community next week, exploring the connections between Javanese traditional dance and Tai Chi movement.

“This work is my exploration, trying to get at a deeper understanding of the body. I want to know more about the essence of human movement. My curiosity comes out of my knowledge of basic Javanese traditional dance and Tai Chi, which I’ve been learning since I moved to Taiwan,” dancer and choreographer Danang Pamungkas told The Jakarta Post upon his arrival form Taiwan on Wednesday.

“I want to know the similarities and differences between the gestures and movements of these two traditions.”

He said he found links between the smooth and meditative gestures of Javanese dance and the meditative patterns of Tai Chi.

Courtesy of Salihara

“These movements are subtle but carry a powerful influence no less.”

Having named the composition Song of Body, Danang said it will express and explore a deeper understanding of the essential elements of body movement.

“It’s a kind of meditative movement beginning in the body’s core, allowing the dancer to be closer to nature,” Danang said. However, he said not to look for direct references, the choreography would not quote gestures from these traditions, even though he has used them as a jumping off point in this work, in pursuit of a selfsame feeling.

Danang and Rianto will performed the dance on Feb. 2-3, accompanied by Song and Poems for Solo Cello by the American minimalist composer Philip Glass and supported by lighting designer Sugeng Yeah.

Danang has reason to be curious about the powerful magic of the two cultural expressions since he has experienced both worlds throughout his career. Moreover, he has now join the Cloud Gate Dance Theater in Taiwan where he also learns Tai Chi. Born in Surakarta (Solo), Central Java, in 1979, he started studying dance at age 15.

He received formal training at Solo’s high school for traditional arts and graduated from the Indonesian Art Institute Surakarta (STSI) in 2005. He also learned traditional dance as it is practiced at the Keraton Mangkunegaran, Solo’s royal palace, where he took the role of principal dancer.

His works including Gulung (1999), Gliyong (2000), Trance (2002), Dograg and Gaung (2003), Di ujung Pintu (2005), On The Chair (2006), and One Circle (2007) have been performed on many occasions in the major cities of Java.

His Panyot Pun Padam was awarded first prize at The Next Wave Indonesian national choreography competition in 2004.

Since 2003, his dancing in works by several prominent choreographers have also fueled his transboundary exploratory fire. He danced in Sardono W. Kusumo’s Hutan Plastik (Plastic Forest) in Jakarta and Bangkok and his No Body Body’s in Jakarta and Surabaya, Selasar

Sunaryo’s Sunken Sea in Bandung and Eko Supriyanto’s Opera Ronggeng in Solo.

He also played in Ki Slamet Gundono’s grass-puppet plays and performed in Korean choreographer Sen Hea Ha’s Infinita at Uijeoungbu Music Festival and at Modafe Art Festival in Korea, at Singapore Art Mart in Singapore in 2005, as well as in Belgium and the Anmaro Art Festival in Amsterdam in 2006.

He has also produced some collaborative pieces such as Spring in Solo with the Japanese Pappa Tarahumara Dance Theater which was performed in Solo in 2002, Monteverdi’s Orfeo with the English National Opera which was performed at the London Coliseum and the Shubert Theater in Boston in 2006, as well as The Coronation of Poppea likewise staged at the Shubert and the Coliseum in 2007.

Song of Body

The dance will be presented at Teater Salihara on Feb. 2-3, 2009, at 8 p.m.. Tickets (Rp 30,000 or Rp 15,000 for students) can be bought at the Salihara Community, by phone (Asty 0817-999-5057, Laly 0812-8008-9008, Nike 0818-0730-4036) or by online reservation (www.salihara.org).